"Can't argue with that." So..." Ella paused dramatically, and then finished, "Why are you two still dressed again?"The boys inevitably blushed. The commonplace nudity of the family was something they weren't remotely used to yet. They did kick off their shoes to begin stripping, though. Ella was used to the state of undress, but that didn't stop her from admiring John as he disrobed - and peeking at Nathan.They were two of a kind - leanly muscled and well-endowed. They were just as beautiful on the inside as well. John was the most caring, considerate, and good-humored man Ella had ever met. Not for the first time, she thanked her lucky stars that she'd outgrown her fixation on jocks to discover him before someone else snatched him up. Nathan had been a friend to her and her sister all their life, and had patiently waited until the day Terra finally recognized the love hiding right under her nose.Caught up in a flood of memories - and arousal - she started when her sister whispered,. "Although Leach denies that his work has any unifying theme, one suchconnecting idea seems to be his work's insistence upon the unity of allthings. Rather than living in a world of distinct and disassociatedobjects wherein there are clear-cut divisions between the objective andthe subjective and among the many and varied categories of existence,Leach's art suggests that such dichotomies and classifications areartificial rather than actual or natural and that, therefore, if they aretaken literally, they are false and potentially hazardous. Human figuresinteract with plants and inanimate objects as well as one another. In AnEnd to Waiting, several transvestites wearing nothing but stockings arepenetrated per anum by the tendrils of a flowering vine. Similarly, inJyllinge Girl, a flower grows from the small of a back, just below a pairof legs wearing stockings; bent at the knees, the legs combine to becomethe forearm of a woman holding a wand. The back above the buttocks formthe woman's.
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