.”..Maine usko samjhaya ki wahan koi khatra nahin hai.. lekin woh nahin maani.. par mere sir par bhi uski choot ka bhoot sawar tha .. maine bola chalo mere ghar chalte hain.. who boli“Nahin itni jaldi nahin”.. hum aaj hee mile hain…Lekin main fir bhi haar nahin maani.. “ghar mein hum yeh sab kuch nahin karenge.. main tujhe mast mango shake bana kar pilaunga”..Woh boli “Sacchi?”Maine bola “haan sacchi” aur man hee man socha ki mangoes toh hai nee nahin ghar mein.Anyways main usko apni bike par bitha kar ghar le aaya. Raste bhar yahi soch raha tha kis kis position mein chodunga usse. Doston baat jaise jaise aage badh rahi thi imagination bhi badh rahi thi. Lekin fir bhi main issi mein believe karta hoon ki jab tak lund choot ke andar naa ho tab tak kahin bhi kat sakta hai. Toh maine apne aap ko attachment se sambhala.Room mera 1st floor par hai. Woh mere aage aage char rahi thi.. aur main peeche see aa raha tha.. peeche se main uski idhar udhar matakti gaand ke maje le raha tha.. doston. They would put together a list of interested talent and let them know if the interest was mutual. The large studios were trying to play catch up and failing. They had no script writers on their staffs. They had no scripts under consideration and no one who could put one together without a significant amount of cash leaving the studio coffers and landing in the hands of an independent contractor.The studio heads had played the system. They had their hands in almost every facet of the industry, from the casting agencies to the smaller websites to the major production houses. Studios that paid a performer $1,000 would get $125 of that back from the casting houses they owned in the form of commission taken from the performers. The agencies would urge their stars to work for scale on certain websites financed by the studios – then take 12.5 percent from the performer anyway.But independent contractors didn't work that way. A script writer would want money upfront for his or her work – and.
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